Batman Live, the theatrical spectacle of 2011
Hollywood screenwriting guidebooks routinely repeat the idea that to have any chance of getting your blockbuster greenlit, you need to be able to distil it to a one-line ‘elevator pitch’: a short sentence that cites a couple of past box office hits and perhaps an inventive location, by way of encapsulating the essence of your new story.
By that standard, Batman Live might be in trouble. The people behind the arena extravaganza, which will have its world premiere in Manchester in July, are snappier and more forthcoming when saying what it isn’t.
‘It’s not Batman on Ice.’ ‘It’s not Batman the Musical.’ ‘It doesn’t have long, discursive scenes – Batman doesn’t lie back and say: “Isn’t that an interesting cloud?”’ By any other measure, not least the track records of the people involved, it looks like a winner.
Hope it’s better than Spiderman



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